Monday, July 30, 2007

Day 65 - You might sleep but you'll never...dream........into the ECHELON!!! We GO!!!!

Do You Realize - that you have the most beautiful face
Do You Realize - we're floating in space -
Do You Realize - that happiness makes you cry
Do You Realize - that everyone you know someday will die

And instead of saying all of your goodbyes - let them know
You realize that life goes fast
It's hard to make the good things last
You realize the sun doesn't go down
It's just an illusion caused by the world spinning round --Ye Olde Flaming Lips


So, okay. I think God is having fun tossing shit at my life. My aunt just died in a freak car accident. Jasmine's got her things I'd rather not discuss without her permission. I've got my own personal shit. And now my family's in mourning over one of my mom's and everyone's favorite people.

And yet... I can't seem to feel anything but numb. It's like I can sense everything, and it all sucks, but all I feel is a great irrepressible desire to leave, to get the fuck outta dodge, to "Alright Ramblers, let's get ramblin'." I feel apathetic, I feel mean and cold.... Yet that's how it seems that I'm reacting to this... Cold, yet affected. Aware, self-aware. Amazed. Awe-struck.

I'm so small. I feel like I should do something but, when I ask advice, I get garbled advice that emits from eight sources all at once, and all I can respond with is, "I don't know how to oriwejrjioewjio[wjriojw]!" All the advice I gets reminds of this passage from Extremely Loud and Incredibly Close by Jonfen Safran Foer:::::::::::::

"I found a payphone and called your mother, that's as far as my plan went, I assumed so much, that she was still alive, that she was in the same apartment I'd left forty years before, I assumed she would come pick me up and everything would begin to make sense, we would mourn and try to live, the phone rang and rang, we would forgive ourselves, it rang, a woman answered, "Hello?" I knew it was her, the voice had changed but the breath was the same, the spaces between the words were the same, I pressed "4, 3, 5, 5, 6," she said, "Hello?" I asked, "4, 7, 4, 8, 7, 3, 2, 5, 5, 9, 9, 6, 8,?" She said, "Your phone isn't one hundred dollars. Hello?" I wanted to reach my hand through the mouthpiece, down the line, and into her room, I wanted to reach YES, I asked, "4, 7, 4, 8, 7, 3, 2, 5, 5, 9, 9, 6, 8,?" She said, "Hello?" I told her, "4, 3, 5, 7!" "LIsten," she said, "I don't know what's wrong with your phone, but all I hear is beeps. Why don't you hang up and try again." Try again? I was trying to try again, that's what I was doing! I knew it wouldn't help, I knew no good would come of it, but I stood tehre in the middle of the airport, at the beginning of the century, at the end of my life, and I told her everything: why I'd left, where I'd gone, how I'd found out about your death, why I'd come back, and what I needed to do with the time I had left I told her because I wanted her to believe me and understand, and because I thought I owed it to her, and to myself, and to you, or was it just more selfishness? I broke my life down into letters, for love I pressed "5, 6, 8, 3," for death, "3, 3, 2, 8, 4," when the suffering is subtracted from the joy, what remains? What, I wondered is the sum of my life?" [page 269]

--

I only know how to survive the way I know how to survive. Esoteric, cold, cynical, passive. Death is just an illusion. We all truly live forever within our legacies. The time comes when we've done all we can as flesh and the rest of our purpose can only be fulfilled through remembrance and not our own furtive actions. Though our bodies may cease, our souls surely live on forever as do the memories. We have affected who we are to affect... And soon, they will tell of me posthumously... And I will down, and I will smile....

You are all so goddam wonderful.

Sunday, July 29, 2007

That is that and this is this... when the ocean met the sky.

I'm reading the last Harry Potter book. I want to ruin it by reading the Wikipedia page on it. I already read some things that would have otherwise been unknown. F'in A, man. The things you can get on the internet.

I went to a club last night for the first time, smoking my way through the night. Check it out: it's this club V.I.P. and it's supposed to be a gay club. But I didn't get hit on once. I was disappointed, almost. And the DJ kept looking at me, and I kept thinking of John Cusack in High Fidelity, and how he met his girlfriend who he's trying to mend things. Then I thought of how that movie reminded me of Annie Hall with a musical subtext. Then I thought of, "Sometimes, when I'm driving alone at night..." And a funny-as-hell young Christopher Walken in a great cameo. Jeff Goldblum was in that movie too, with one line: "Hey, yea, I forgot. What my mantra again?" And then I thought of the "I'm a Pepper shirt" he was wearing in The Life Aquatic when he was playing cards with his Phillipino Pirate captors. And all that led to a smile on my face as I looked upon some very pretty young ladies I hope to see again one day.

And, speaking of Wes Anderson, The Darjeeling Limited gets released on Sept. 28th or 29th or Oct. 5th, depending on your source. That's two weeks after 3:10 to Yuma, and one week after The Assassination of Jesse James by the Coward Robert Ford, two westerns I'm excited for. I like Westerns. They're epic, they're big. Sergio Leone is a bad ass. Sergio Corbucci? Thanks for Django. It was weird.

I know that made me sound like a film geek, but I haven't even seen the Godfather. I haven't seen Bullfighter, though I say I like Scorsese's work. I haven't see Once Upon a Time in the West, though I say I like Westerns. Yea, see, what the hell is wrong with me?

Oh, right. I'm 19 and a disillusioned youth. I've been reading too much Harry Potter.

"as the cardinal hits the window."

Sunday, July 22, 2007

Day 58 (Almost) - I am pathetic. You are the rub.

I will box your ears in with cryptics. I will teach you your lessons. I will become what you wanted me to be...

But I am afraid of far too many things that mar my sight with sound and my touch with taste. I am awake and alive with none but above below the down away away away caromed off the corner wall and against your back to find your sight among above the sinews. Your heart and its ventricles. Your soul and its sinews. Torn all apart away from the beginning towards, but not quite, to the end. I am pathetic. You are the rub. This is the story of your pathos and its own desires to become its own pathology. I am what is worth believing in, yet you are none but the evil deeds you've succumb to once or twice in the past--the past is corrupted and yet it is what creates our very being. We are corrupt. We are all serial killers, belaboring the nightfall creationism brought on by the clouds that pull the stars away from us, sucking them out of the night to leave us feeling cold and moist around our neck as from a lover's kiss.

But I am afraid of far too many things--what more shall I say? That I don't trust you? That I don't trust the great and unattainable monolith called "God's will?" Isn't that just a copout? Why can't you control yourself and be among those that need not great unbounding grace and love and forgiveness? Why can't you just tear yourself away from your great unadulterated ways of torture and pathetics and be someone without a character that staves off others while necessitating their forgiveness? I am yours and I am lost and I am you beyond what you will ever know for every day within this universe expanding, drifting, returning, cycling about and about like our own still-life reviving. I know your name. It translates roughly to "he who knows no bounds." You are the greatness. You you And not I I though we are, quite truthfully, one and the same yet uncontrollably paradoxical. That is the rub. Aren't we the rub, then, my darling in the night time under the stars sucked dry? Stars sucked away piecemeal by cocaine-lines of grey clouds shouting and hailing that the morning is coming, the ocean isn't far off, you can leave me if you want. And go on forever knowing that I have my doubts.

But I am afraid of far too many things to pull you back towards me and hold you close against everything I've ever been taught. I've been afraid for six months on... I've known you for three years, I've known you for all of my life before the birth, before the conception, i've known you all my life and I am afraid that you will one day run away from me to become what I know you're not....

Day 57 - Atrocities

This is what we believe in, this is what we know: that the world is what we make it, that the world is how we perceive it. We are aware, yet we are subtle about our feelings because they can get us into trouble. We can enable though we can also disable. We can scare, we can incite. I think that there are fewer things that we can't accomplish and more things we can achieve if we only chose to become more self-aware.

This is what we know: we know that God is in control and that Christ died for our sins so we can live without regret or worry. We must be penitent. We must keep our feet on the ground. Moving forward forever more. I know your name. Pushing it all out beyond what we know will be the challenge in the days to come.

There are things I know, there are things I need.

"The children swing the dawn in." Put a quarter in the "end a sentence with a prepositition" jar.

Thursday, July 19, 2007

Day 54 - This is the Mask. Keep your Ear to the Ground and you may feel my Feet Again.

She must have been dead.

At least for the past 10 years.

This sets up a mystery.

A faint dust rose out her mouth when she spoke like breath in the cold.

She did not ask them, “Did you receive the notice from the sheriff?” We are in the silver-star west.

The dead is still alive, you’d think.

Apparently, she’s living quite well in the past. It’s hard to tear her away from him. The Past is so charming, illustrious, and debonair. You can make him up so well.

She did say, “I seek you,” with that strange dust rising up out of her mouth as from decaying furniture. The little boys in the town said her lungs were made of the dust and that when it’s all puffed out, she’ll die. This is why she smokes: the tar holds all that dust together. That’s what the boys says.

I think her name was Amber. But there’s a disconnect these days. Her eyes of emerald green were filmy orbs merely held out to bemuse the cinders strewn about in stillness. She remembers the fire that that the electric blanket started. Her leg is still scarred. That was okay because she was able to kill her parents, and her scar was her reminder of that brave, August night when the heliotrope chose to bloom.

Some say that the dust is the ash of that fire—it is the ash of her parents, specifically, as if it infected her. She was the trenchant cat-lady but she didn’t have any cats… just the past. No one in the West was clever enough to car her the trenchant past-lady.

As said, she smoked a lot to hide the dust. She would draw it long into her lungs of ash, yellowing her left index and middle fingers before the War, then right index and middle fingers. She could not change teeth until she got dentures that she washed nightly. She found the sensation of smoking without teeth liberating.

“I did not murder them,” she said, 50 years earlier, at 20, as she tapped ash into the clear ash tray in the middle of the Spartan table in the middle of the apartment on the second floor of the decrepit wooden building in the middle of town. We are in the middle of the universe.

At the time, days after the fire, her injury was bandaged enough to hinder her walking. She would need a cane until it healed as much as it could.

The sheriff—brown shirt, silver star and all—subsequently heavy-stepped around the kitchen, as if his boots were made of lead. “You may say that, Ms. Amber, but we’ll find out the truth about you. About the dust. You know now, and we’ll know soon.” He was trying to impede upon her as she sat on the tweed couch among the rented pieces of someone else’s life. He was leaning down towards her so as to make his words stronger, as from above.

“That is well.” He could not instill fear, she looked up at him with a steely green view from below.

“Very well.” He replaced his Stetson and left down the rickety stairs, each one bending under the weight.

When the creaking and the moaning of the stairs ceased, she sighed. Smoke and dust.

Eight days late she was arrested on evidence that had nothing to do with the fire. She was released two days afterwards.

The truth was that no one but her would know. It was the scar that threw them off. It was so bad she almost lost her leg, and murderers don’t hurt themselves. And women don’t even murder. Especially at the age of 15! It had to be accident. It had to be.

It was the scar and it was also her lack of guilt.

This sets up a mystery.

It’s not like she was ugly, neither. The dust softened her lines, made her complete and deceiving, like the stars of Old Hollywood. Curious boys would sneak over on summer nights to see her change, to see her naked, to see her scar, to see her body—the most beautiful body in all of Babylon. They would see her pleasure through the window, her writhing and her toes clenching among screams alone.

She never wondered why there was a patch of grass that never grew. It was under her window and she understood. Though she knew (or thought, at least) that no one would lover her, she took solace in the fact that all the boys in town would want her. Society would say no, but the spot from which nothing could grow spoke more volumes than any city’s unwritten decree. This spot from where they watched, within her knowledge, said that all the boys in town had loved her and spilled for her. Everyone at least once.

She liked knowing this. She lived through the open window and got even more excited when she heard an escaped yelp and subsequent shuffling feet and jingling belt buckles as they ran away, erect and fearful.

…But then she got older and they stopped coming. They stopped coming and the grass grew back and she was alone again.

At this, she sighed. Smoke and dust.

At 35, the man of light appeared. His uvula was lit as if from bulbs within him. He came when she was 35. He was 37. She would cough, he’d open his mouth and they’d watch the dust settle unto love. He was Irish-descended, as from something great and Joycean, flaming lanky with red hair, eyebrows, and beard in the winter. He was wearing a Kelly green shirt and khakis when he laid her down for the first time. Everyone was watching. Her screams of painful pleasure rang through the city. I’ve never seen so much dust and light. They made love with the lights turned out so that we could follow by only what filtered through his teeth, guiding we the voyeurs to the parts of her body which he enjoyed the most.

The boys came back for a time, the grass stopped growing again. They liked to see the light along her scarring like nodes of direction along a canyon.

The scar consumed her left thigh and looked cavernous because it was deeply cut. It was as if she had reverse-varicose-veins that were sucked inward instead of pushed outward. It looked like roots to within her thighs or a roadmap upwards toward the grassy knoll that you could lay your head upon during a cooling day in October’s orange sickness. It was always so goddam beckoning. I stood on that grass with my hands in my pockets every week, looking up at her, wondering about her.

I wanted her but I was 20 years younger. She would never look at me. So, one night when the Human Torch was away, I snuck up to her room and took her for myself, pushing her back, rubbing the scar, coughing among the dust. She looked into my eyes, her orbs of emerald green, glowing with more passion than I’ve ever seen. She pushed me off and I looked at her like a chastised puppy. I was fearful and ready to run. I realized my lust and was ready to run away from it.

Despite seeing this she stated, “If you’re to going to take me like this, at least do it right!” She pushed my head toward the canyons and caverns.

I committed.

I ran my fingers along the roads to Babylon. The scar was erogenous. I should have known this after all those years. She screamed and clasped and writhed and scratched and coughed and covered everything. She was with the past again, in heat and in passion.

She was scratching my back from mid-spine down toward my kidneys, digging and digging and digging into my flesh. I bled everywhere among her dust that speckled it all.

When I felt the warmth starting to well up within me, I rolled over into the sheets and bit them, tasting my Type A. They were stained; they could never be slept in again. I had dyed them crimson with her help.

I stumbled out, tired and woozy from excitement and blood loss. My shirt clung to my back, the blood trying to get at anything as it cried, “Make it stop!”

As I left, the boys on the grass stared at me. I looked at them and smiled—I laughed a little in triumph. They knew that what they had seen was her youth once more. And never again.

They never returned.

And I suppose that the Human Torch saw the speckled, bloody, sheets and subsequently knew what had happened. He cried for vengeance at his hands, up and down the city streets.

But nobody really cared, I think, because they knew, from the stories that the little boys told, that she hadn’t been happier in years.

This settles up the mystery.

She would die a year later, to the date, as if her remembrance broke her closely to the bone.

I didn’t go to the funeral, I left town after that night. Clamoring west to the Ocean Away with nothing but my scars. I never knew what caused all that dust.

The Human Torch was doused two weeks later. He hung himself in the basement of their house. No one found him until a small boy of about seven (I think he was the Hendrickson boy, come to think of it) walked by the empty house and heard the decayed thud of the neck breaking apart. The boy peeked into the opaque window atop the basement and saw the heap of decay next to the head finally liberated below the noose that acted as liberator. This is diplomacy. I believe in you.

It’s been long enough to tell you. I’ve spent long enough in these lands with a name that translates roughly to “The Rooted Back,” and I have rooted you back to these incidents that happened so long away, so far away from this land among the grey clouds and forests and small houses and rickety shanties.

I hope that you can therefore understand. I followed the road to Babylon and am rooted from there, for 10 years odd… And so it is now I travel back and become uprooted.

Wednesday, July 18, 2007

Day 53 - 300 M.P.H. Finger Breaking, No Answers Makin, Battered Dirty Hands, bee Stung and Busted Up, Empty Cup Torrential Out Pour Blues

What am I to you but a mistake? I ask myself that. But, then I've gotten to think. Maybe I'm not the mistake as much as you are the flawed flesh of broken homes and bromide burns? Tell me your name, for once and for all, don't you wish that's how it was?

Put on that song and tell me what you think. Believe in me because you think of me kindly. I am not as flawed as I think I am, I think. It all comes down to what I want to believe.

Iterate, itinerate. Irate. Believeability faulters when you discuss the empty houses of relatives on Mars. All set up to kill yourself to live. Never to be heard from again. The weight of water in space. believe in me and I am insignificant, flawed. But it's all concerning what you want to believe. I cannot believe in you anymore because you hurt me so. I can show you the scars where the lye burned my flesh like hot ash against all the worst in the sandpaper industry. Or where my lungs have blackened from my 20 cigarettes I smoked trying to get addicted. I just wanted to hinge on something tangible. I cannot hinge on something tangible. I must hinge on something tangible. You are my love, you are my peace, you are my serenity. Grant it thusly.

--

My first experiment with playlist-based poetry. Set up the playlist on your iPod as so:

  1. Joanna Newsom - "Emily" from the album Ys (I actually started writing at around the 8 minute mark of the song, so maybe meditate for eight minutes on her child-like voice first?)
  2. Bob Dylan - "Just Like Tom Thumb's Blues" from the album Highway 61 Revisited.
  3. Sufjan Stevens - "All the Trees of the Field will Clap their Hands" from the album Seven Swans
  4. Bob Dylan - "Mr. Tamborine Man" from the album Bringing it All Back Home
  5. Interpol - "Leif Erikson" from the album Turn on the Bright Lights
Play:
Come on home, the poppies are all grown knee-deep, I know.

We are going to places where there's sadness among within the field.

Developed in the playlist. And only breaks to change sides. Not time breaks between keys. Black white up down back again in the stars settling the order with our heads cocked at this joy in bodies that don't keep. So take this and eat this the source of the light that's devoid of just what causes the light that lies stone quiet and offering. The poignant stacatto, I know.

Wake me up at dawn, Down Crescendo.

I know there are portions you'll hear forever without the hiss and an eighth note behind Juarez where gravitas fails. Negativity don't pull ya through. Hungry women there. Fingers wreaking of tobacco among the experienced. The goddess of gloom, invited among the uninvited, but always too soon. A Kierkegaard anthology. Are you asleep? You better go to where the cops don't need your authority to boast of blackmail at the post's angel of the coast, immaculate.

Inbox: Angel

Outbox: Ghost. To change and remove I know not but everything.

Bob Dylan must play piano.

Portions you'll hear forever. Wrecked the hell from Desolation Row, dredged.

Quiet, soft, azure among the flowers alive next year sitting, picking at the smaller with you my heart in purity when All the Trees of the Field Clap their Hands.

You've come home my darling, to where we are forever beneath the scarecrow cupola that sits above and sees the valley below. All the fields of others. We are close but not in heat. We are happy, we are we... We can, from here, see all the couples to come before they know it. We can seem them stumble across and finally into each others' arms. I know your name.

There's a depth-hum on the right. Maybe flourescent, but I don't want to fix it because you are too beautiful to turn away from. I hate the Byrds but I love this song. Ancient deadly streets too dead to dream. My toes too numb to step. I love you, I know your name. I know you don't exists, but I can't work on Maggie's Farm no more just to support your wanton material lust complete and unabridged, my Cassandra. Is that you? The Dark Ages--they haven't ended yet. I haven't become enough for you.

I know it helps with the lights out but just this once? Why should I sway your hips, lets move, dance away from the beat but the wood that bends and breathes under our feet. Lean over the edge and scream of divinity.

See the birds flow around us singularly (that is supposing you don't sleep tonight).

Don't bring on the lonely parts. ever. The past before we knew each other is mute and indifferent. Now, we must learn everyone anew, the language and all.

So Stay Awhile. Never Leave."

At this point, please put on "Across the Universe" by the Beatles. It's on Let it Be.

Saturday, July 07, 2007

Day 42 - Lone Hill Blues no. 9

I can't understand why it's so hard for people to believe in God. To believe in Christ as God's son.

Wednesday, July 04, 2007

Day 39 - Killing Yourself to Live

So I'm reading Killing Yourself to Live by Chuck Klosterman, and there are a few things I've been thinking about. I am going to assume you know every detail of this book, as I know you've read it.

He talks a lot about music and movies in passing reference and as a way to describe how people look or act or sound ("Jolene" by Dolly Parton, Morrissey on Bona Drag, Jack Lemmon in Glengarry Glen Ross, etcetera), yet I can't figure two things out:

1) He goes to Fargo, ND, mentions ND a ton because he grew up three hours away from Fargo in ND, and yet he makes no mention of the most popular movie about Fargo entitled, well, Fargo. Someone winds up in a wood chipper. You should see it.

2) He was a journalist in Akron, OH, for a time, something he mentions multiple times. Now, this one may be a personal thing because the band that labels themselves as "Akron, OH's finest" is one of my favorites, but he never once mentions The Black Keys. If you're in Akron, I'd assume you'd know of them. Akron's not Hell, not under a rock. I'm just surprised he can have a two-page explication about a Rod Stewart box set, three to four pages on Thom Yorke accidentally predicting 9\11, and yet nothing on two things concerning two places he is deeply involved in. But this whole book is about the strange things in life, but mostly death, and so maybe he intentionally left them out.

Either way, what a douche bag for not mentioning the Black Keys. They're Akron's FINEST! C'mon, Chuck. Not even a footnote. Nothing. Whatever. I paid full price for the book, so, Black Keys and Coen Brothers or not, you still have my money and, thusly, my soul. Have a nice day, Mr. Klosterman. And you too, Vietnam.

I'm not even going to mention the three women he's involved with during the book because all three relationships seem very contrived and, if this is 85% of a true story, then they're the 15% fiction. He can't deal with women, neither can I, maybe he should've taken a chastity vow for a year. And not been so awesome. Who knows.

Sunday, July 01, 2007

Day 36 - Records, Musings, Side B, Open Window Beckonings.

I collect vinyl. Age-old, archaic and kind of clunky. I have a budding record collection not for the sake of pretentiousness, or for the sake of getting old records to hear their original recordings, or for the sake of getting new recordings that were digital-turned-analog.

Before I go on, I'd like to point out that records are more expensive, come with less booklet-art and lyrics (especially the older ones), are usually used, and that one record takes up twelve inches as opposed to my iPod's 3 and a half. I'd like to point out that they are by-gone and kind of silly to have.

But the reason that I have them is because, in this age of convenience and music-at-your-fingertips, having a record is absurdly space-consuming. But that's the whole point to me: saying to the artist, "I could have you crammed into the list on my iPod and enjoy you that way, but, instead, I've also placed you on a shelf in my room where I could have put other stuff." It's the idea that I like these bands enough to let them take up an insane amount of room in these days of over-consumption. Twelve-inch singles are like saying, "I like this song enough to have it take up a whole foot of space in my room." I like Ok Computer enough to drop 30 dollars on it even though the CD is less. The CD is smaller, the CD is easier. There's not four sides to it. Just the one. And so the records are my way of saying, "I appreciate you," and showing it.

--

What more can I say? I am sitting here without a shirt out, sensing (but not quite scenting) my b.o. that everyone has but no one likes to admit. Funny how we as people are inherently stinky, yet we attempt to cover it up with deoderants and antiperspirants and lies and showers. We are stinky people in both physiology and ideology. Everyone has lies and judgments yet we don't try and cover up their stench. We let it fly and whew! I'm pretty sure that's the methane that's being released to cause global warming. Maybe if we were less full of shit, then this world wouldn't be as hot.

I realized that I truly love very few things: baseball, women, music, God. The idea of love and women fascinates me. I know a beautiful girl who would cause my year to end and the world to stop if she admitted to being in love with me (but she never will be for her own reasons, so the year trudges on like a Casanovan solitude). I know that I watch too much baseball when I can point out rooftops of the bleachers in commercials. Music at full volume in a car makes me feel invincible. Lightning Bolt turned up to 11 driving down the freeway is intoxicating, driving, confusing, cacophonous. It will get you killed. Icky Thump, too, will kill you. Meg White pounding the knife in as your car slams into a tree, pinning the wife of a priest to a tree who begins to ramble on about how Merrill should swing away.

God is. What more can I say?

Am I happy? No, but I'm okay with everything.